During the fall festival season, many movies face the threat of becoming overhyped. However, The Brutalist managed to defy these expectations when it premiered at the Venice International Film Festival and garnered high praise from critics. The film’s unique qualities, such as being shot on VistaVision using 1940s and 50s camera technology, have captivated cinephiles and sparked conversations about its technical achievements.
Having attended the West Coast premiere of The Brutalist at Beyond Fest, I can attest to its epic nature and potential to be the standout film of 2024.
A mid-century American epic
The Brutalist stands out as a compelling mid-century American epic, following the journey of architect László Tóth as he navigates post-World War II America. The film delves into themes of art, commerce, and personal struggles, drawing parallels to iconic works like There Will Be Blood.
The dynamic between László and Harrison in The Brutalist mirrors the exploration of art and commerce, showcasing the complexities of their relationship. Adrien Brody and Guy Pearce deliver standout performances that anchor the film’s emotional depth.
The Brutalist is a long movie that never overstays its welcome
The Brutalist masterfully balances its lengthy runtime with engaging storytelling and nuanced performances. Brady Corbet’s direction and the dark humor woven throughout the film add layers of depth and entertainment.
The film’s use of VistaVision technology and authentic period aesthetics elevate the viewing experience, creating a captivating visual journey through mid-century America.